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RAA News December 2013

Time To Renew!

It’s that time of year, it’s time to renew your RAA Membership! This year we’ve made it even easier to renew by adding a form to our website that allows you to type in your information and then pay for the membership with your credit card. We’re using PayPal as a way to safely and securely process credit card information, but you do not need to have a PayPal account to use this service, you can also just enter your credit card information and be on your way. This online form is located here.

We also have a form on the website that you can type in and then print out and mail with a check to the gallery, this form is located here.

This month’s print newsletter will have a membership form, and of course there are always forms available at the gallery. However you do it, please remember to renew your membership with the RAA. As a group, this association can accomplish so much, and this all starts with your renewal dues!

Thanks – Candy Glendening

A Take-in Reminder

Artists: When bringing your art in at Take-in, the hours are 9am to 7pm. Please arrive early enough to do the paperwork so the workers can go home at 7pm. First-timers, allow half an hour to go through the procedure.

Sandy Davies

WHAT IS A JURIED SHOW?

Art shows are usually focused on one type of art – like photography or wall art: oils, watercolors, acrylics. Someone is chosen to judge the art that was submitted for the show. The judge would be known for his/her experience in the arts. He does not need to be an artist but someone in the art realm. For most shows today, the art image is sent by email and scanned onto a DVD so the judge can view it on a computer or projector screen. The judge is told how many pieces the organizers want in the exhibit. Then he choses which pieces will be shown in the exhibit.

The judge also chooses which pieces win an award. Sometimes the judge chooses which pieces get prizes from their image on the DVD or he waits to see the exhibit up on the wall, when he can see the actual piece. He considers the prize – First place, Second place, etc., or if it is a specific award – like “Best Watercolor”. He reviews the pieces he has chosen for the show and selects which ones he likes the best or is the best fit for the prize.

For Redlands Art Association’s Multi Media Mini Show, the judge is told he will have to consider not just the traditional art techniques but what the artist did to create his piece. I mean, there is nothing traditional about putting a bunch of nuts, bolts, paperclips and do-dads together to create wall art and yet, the effort has to be appreciated. The Multi Media Mini Show lets the judge see the actual piece up close so he can get a better feeling for the work done.

Last year, there were 282 pieces entered to show but the judge was limited to choose only 115 wall pieces and 45 table pieces, including jewelry. That means only half of all the art submitted was actually in the show. HOWEVER….

When an artist’s work is chosen in a juried show, he gets bragging rights!

It is a star on his resume and the art piece can be featured in his portfolio.  Kinda like getting nominated for the Academy Awards.  Then, if he wins an award in the show, he can feel like he’s got the Oscar in his hands!

Of course, each jurist is different and one piece of art not-accepted for this show may be accepted in another show by a different jurist.

The rule of thumb is to keep making art and showing it off.  Enter as many exhibits that you qualify for.

Bring us your art!

Thanks,

Sandy Davies

Open to all artists….RAA’s Multi Media Mini Show advance planning.

Get your creative thinking cap on! Get to the studio and make me some art! Art that makes me say, “Wow!” or “Hmmm!”.

The MMM Show is open to all California artists and/or RAA members. Artists can submit up to three 3D or 2D pieces. Multi-media means… anything! Strict size limitation: must fit within a 14.5” cube, including frame and/or base. The prospectus/ entry form will be available January 1, at the Redlands Art Association, 215 E. State St., downtown, Redlands and on their website: www.redlands-art.org.

All entries must be hand delivered to the RAA Gallery on Sunday, March 2, between 10am – 4pm. Winners of the competition will participate in over $ 3000 in cash and product awards. Purchase Award Patrons will select their art pieces at a private showing before the exhibit opens for the public.

Grand Opening Gala will be Friday, March 7 from 5pm to 7pm.

“Our show is more than just a display of small pieces of art. It is a collection of little “gems” … you=ll want to get up close while viewing.” says Grace Fermier, long-time RAA supporter.

For further information on how to enter or become a Purchase Award Patron, please visit the Redlands Art Association at 215 E. State St., downtown Redlands, visit the website www.redlands-art.org or call, 909-792-8435.

Sandy Davies

A “MCAEEF” Minute

Every RAA member should know about MCAEEF (Margaret Clark Art Education Enrichment Fund) because of how important MCAEEF activities are to the Association. Some of us fondly remember Margaret Clark and all she did for the Redlands Art Association. Some wouldn’t remember- it all goes back a ways. Margaret was and is our inspiration for promoting the visual art in Redlands and surrounding communities. If you would like to know more about Margaret Clark, please ask someone at the Association about her. It’s a fascinating story. The next time you’re at the gallery take a peek around the corner into the office. A painting of Margaret is on the wall. Her trademark “hat” is always prominent.

Did you know there is a MCAEEF committee that meets each month in an effort to keep Margaret Clark’s dream alive in our community. Just like everything RAA does, our committee puts the visual arts in the hands of individuals, young and a little older (more mature) to experience. We all understand how important this is for every person.

The MCAEEF committee uses, funds mostly generated by our Classic Film Series to provide classes, scholarships and awards to a wide variety of groups in the community. The MCAEEF committee wants you to be aware of what’s going on with these funds.

Look for A “MCAEEF” Minute in future newsletters. We’ll keep you up to date on what’s going on.

Thank You,

 MCAEEF committee

Our First Annual Teaparty

Many thanks to everyone (40 people) who came and made it a memorable event. It was wonderful to meet some of members who have been with us since the early days. I’d like to thank a few people specifically for their hard work behind scenes: Cheryl O’Conner who organised hospitality; Judith Sparhawk for taking photographs, Jill O’Dwyer for scanning in loads of photographs, creating the invitations, and constructing the time line, which we were able to display on easels around the East Gallery, and as a video loop for everyone to watch on the projector; and the volunteers who provided rides for those people unable to drive. Sandy Davies for the flowers, Pat Meeker and Gail Brownfield for their large tea pots, John Brownfield for zipping home to get the teapot and the electric kettle. And a big thank you to everyone for  the delicious food. It was wonderful to welcome founding members, past presidents and one of our newest members. We will hopefully see you all again next year.

Here’s a short video of the gathering:

RAA 5oth anniversary tea party from Redlands Art Association on Vimeo.

And pictures taken by Judith Sparhawk:

tea Rosemary R-B

Teaparty2

Teaparty6

Teaparty8

Teaparty13

Teaparty17

Teaparty18a

A wonderful time was had by all!

Liz Coviello, Historian in the Cupboard

Programs & Workshops

Joe Oakes Acrylic Painting Workshop

Saturday March 10th  from 10 am – 4 pm

Fee: $100     RAA Member: $75

Join this award-winning artist for a fun, relaxed painting experience. He believes this kind of environment is more conducive to learning. There’s also a bit of structure so that he can present valuable art principals and demonstrate important painting techniques that can be applied to any subject matter. Put these skills to use in creating a finished acrylic painting.

  • Simple approach to help you stay loose
  • Composition, color, value, techniques
  • Give your painting depth & perspective
  • Structured but light and fun
  • Plenty of individual attention for all
  • Each student will create a finished painting

Oil and pastel also welcome. This workshop is designed for all skill levels. Feel free to bring your snacks or sack lunch.

Program: Color in Painting

Color in Painting: History, Classification Systems, Symolism, and Artists’ Thoughts

By Prof. Linda Kay Zoeckler, M.A., M.L.S.

February 22, at 7pm

What is the most exciting, creative, and fun element of painting? Many artists would answer color, though others would reply line, subject matter, etc. Please join us Tuesday, Feb 22 at 7 pm at the Gallery 215 E. State St, downtown, Redlands to learn the answers to Zoeckler’s questions…

What are the definitions of terms used in discussing color? What is hue as opposed to value, intensity, tone, tint, and saturation? How is a color defined and just how many colors exist? What are colors made of, and are today’s colors different from earlier colors? When did synthetic pigments appear? What are fugitive colors? When were cakes of color devised? When were tubes of color devised? What is a binder and are there numerous types of binders? What is the difference between tempera and oil? When and where did oil painting arise and what were its new capabilities?

How old is the history of color? Why did the Greeks have no names for blue or green? Why do rainbows not look the same in paintings from different centuries? Why do earlier versions of the Bible mention or describe fewer colors and less often than later versions of the Bible? Why did some cultures forbid the use of certain colors? What have various colors symbolized throughout history? Culturally color has been defined differently and its symbols change from one culture to another. How does color relate to music, sound, or alchemy?

How does one study color? Scientists, painters, and poets, have all studied color and – using different methods -- arrived at different answers. What major color classification systems have been devised and when did they appear? When and why did the color wheel appear and what is it based upon? Just how many color wheels are there and are they the only way of representing color classification systems?

What pigments did certain artists use and how did they arrange them on their palettes? How did they carry them? What do artists paint boxes and portable easels look like? How do some artists select color combinations in a painting? What are the rules of using color and should there be any rules?

What do some well-known artists say about color? Eugene Delacroix famously asserted “Give me mud and I will make the skin of Venus out of it, if you allow me to surround it as I please.” Art is transformation – in the hands of talent it is mud to miracle.

See you at the Gallery, Tuesday, Feb 22. 7pm.

Feb 22 Program: Color in Painting

REDLANDS ART ASSOCIATION PROGRAM FEBRUARY 22, 2018

 COLOR IN PAINTING: HISTORY, CLASSIFICATION SYSTEMS, SYMBOLISM, AND ARTISTS’ THOUGHTS

By Prof. Linda Kay Zoeckler, M.A., M.L.S.

What is the most exciting, creative, and fun element of painting?  Many artists would answer color, though others would reply line, subject matter, etc. Please join us Tuesday, Feb 22 at 7 pm at the Gallery 215 E. State St, downtown, Redlands to learn the answers to Zoeckler’s questions…

 

What are the definitions of terms used in discussing color?  What is hue as opposed to value, intensity, tone, tint, and saturation?  How is a color defined and just how many colors exist? What are colors made of, and are today’s colors different from earlier colors?  When did synthetic pigments appear?  What are fugitive colors?  When were cakes of color devised?  When were tubes of color devised?  What is a binder and are there numerous types of binders?  What is the difference between tempera and oil?  When and where did oil painting arise and what were its new capabilities?

 

How old is the history of color?  Why did the Greeks have no names for blue or green?  Why do rainbows not look the same in paintings from different centuries?  Why do earlier versions of the Bible mention or describe fewer colors and less often than later versions of the Bible?  Why did some cultures forbid the use of certain colors?  What have various colors symbolized throughout history?  Culturally color has been defined differently and its symbols change from one culture to another.  How does color relate to music, sound, or alchemy?

    

How does one study color?  Scientists, painters, and poets, have all studied color and – using different methods -- arrived at different answers.  What major color classification systems have been devised and when did they appear?   When and why did the color wheel appear and what is it based upon?  Just how many color wheels are there and are they the only way of representing color classification systems?

 

What pigments did certain artists use and how did they arrange them on their palettes?  How did they carry them?  What do artists paint boxes and portable easels look like?  How do some artists select color combinations in a painting?  What are the rules of using color and should there be any rules?

     

What do some well-known artists say about color?  Eugene Delacroix famously asserted “Give me mud and I will make the skin of Venus out of it, if you allow me to surround it as I please.”  Art is transformation – in the hands of talent it is mud to miracle.

See you at the Gallery, Tuesday, Feb 22.  7pm.

Featured Artists

Bishop & Jarvis 3/17-4/6

Ada Jarvis & Debi Bishop are Joint Featured Artists from March 17th to April 6th

Reception Sunday 18th March 3-5pm

Deborah L Bishop, Assemblage Artist

I began my journey as an artist when I was in high school art class for four years.  I began taking oil painting classes in my twenties when I was living in Riverside.  I enjoyed painting as a hobby until I started working full time for the County of Riverside. I took a hiatus on art for most of that time period. Then I accepted an early retirement offer from the County in 2010. Since then I have taken many art classes through Redlands Art Assoc. such as Oil Painting with Chick Curtis; Still Life Painting with Martha Cowan; Assemblage/Altered Art with Richard Freund; Copper Jewelry with Tia Shira; Pastels with Patricia Ford; Mosaics with Ada Jarvis, and probably a few others I’ve left out.

I’ve enjoyed all of the various classes I’ve participated in but the medium or type of artwork I am passionate about is Assemblage/Altered Art.  I can truly express my creativity through this art form.  The artwork I create is done in a three-part process: assembling the creation, prepping the piece for painting, and finally the painting process using fluid acrylic paints. One of my pieces, entitled “Lucky in Love” was submitted and accepted in the 45th Annual Multi Media Mini Show at the Redlands Art Assoc. Gallery.  I won a $50 Juror’s Choice Award for this piece.  I have entered my assemblage art in many Multi Media Mini Shows since then and a number of my pieces have been accepted. I have participated in Art on State Street & continue to sell my pieces through the Redlands Art Association. I hope to continue my journey through the world of art as long as I enjoy doing it and others enjoy seeing it.

Ada Domke Jarvis

Ada began formal instruction in painting and scientific illustration after high school. She paints with acrylics and oils. Her specialties are historic or personal buildings, scenes and Harleys painted on decorative glass balls and mini canvases which are sold in Redlands, Mission Inn and on commission. Her art has been shown and/or sold in Oregon, Ohio, B.C., Maryland, Tennessee and California. Her paintings have been accepted in several juried art shows in Oregon and California.

Sixteen years ago she taught herself the art of pique assiette (mosaics using beautiful broken china and other interesting objects). Her pieces include birdhouses, bird baths, furniture, mirrors, frames, garden stones, house numbers, tea sets, backsplashes, and wreaths.

Her teaching of pique assiette includes: private classes; workshop for over 40 artists at the 2008 National Veterans Creative Arts Festival; classes at Redlands Art Gallery. She is a volunteer judge for the National Veterans Arts Competition at the Loma Linda Veterans Administration Hospital. She helped judge Redlands Unified School District children’s art. For several years she volunteered on the Loma Linda Cultural Arts Association Board of Directors, and is currently a member of Redlands Art Association.

Contact: adacanada@yahoo.com, 909-796-0040. Like her on FaceBook.

David Fairrington 1/20-2/16

David Fairrington will be a featured artist from January 20th to February 16. There will be a public reception on Saturday, January 20, 2018 from 4:00 pm to 6:00 pm to see Fairrington’s exciting new work.

David’s show is called “Possibilities” with his new work exploring the possibilities of simplicity. “The possibilities are endless for all things you want to do. You just have to do them,” says Fairrington. “Don’t keep doing the same old stuff.”

Fairrington, a noted portrait painter, has painted Hollywood celebrities and elected officials as well as Vietnam combat scenes and soothing landscapes. His paintings are now in the U.S. Army Center of Military History in Washington D.C. His resume includes working with all the major film studios as a creator and designer. Fairrington’s clients have included athletes such as Arthur Ashe, former L.A. police chief William Bratton, and members of Congress. In the ballet world, David is known as the "Degas" of ballet painters. HIs clients continue to ask…”what goes on in your head that you can come up with this incredible work.”

Fairrington states, “I have experienced a lot in my life and it is wonderful to be able to paint some of the beauty and charm I have seen.

The Redlands Art Association is located at 215 E State St, Redlands, CA 92373. Phone 909 792 8435

The one word used most to describe David is “inspires.” He does inspire in both his paintings and his teaching.

Come and be inspired.

His website is www.davidfairrington.com

For more info, call David Fairrington at 951-966-6800

Ken Carmean 12/9-30

December Featured Artist - Ken Carmean
Show Dates: December 9—30
Reception: Saturday, December 9, 3–5PM

Redlands Art Association is honored to present Ken
Carmean, our featured artist, December 9–30.

Ken started making Pottery in his Senior year of High
School, from there he attended the local Junior College
in San Bernardino, Majoring in Art. He enrolled in Dick
Bossard’s class and It wasn’t long before he was an
emerging Studio Potter, making clay, glazes, loading
glaze kilns, firing Salt and Raku kilns. Then Proposition
13 hit and the college was shuttered for the summer.
After a season with a Hot Shot crew in the Forest
Service Ken went back to doing what he loved, working
full time as a Potter. He worked for this amazing potter
from Fontana who had a production studio. There he
learned how to throw a wide variety of forms quickly. He
also learned how to single-fire work to save on costs.
For 14 years he operated Arrowhead Stoneware. He
has sold his work all over the western United States to
many different retailers, art shows, and Galleries. After
a 7-year break from pottery Ken discovered Sonoma
Community’s Ceramics Program. Ken Carmean has
been teaching Ceramic’s classes for the past 5 years
at SCC.
“At SCC, we have two gas kilns that fire to cone 10, 3 Skutt
electric kilns that do a multi-range of firings, a Raku and
Soda kiln. There’s a fully equipped print shop, and a Fiber
Arts class room, and a lot more,” says Ken. For more
information go to sonomacommunitycenter.org.

From Our Fearless Leaders

January 2018

Two days of rain and I find myself wanting to curl up and hibernate, but the work of RAA and the gallery continues!  I hope you all enjoyed the holidays, however you celebrated; mine were rather extended and actually are still incomplete.

I am pleased to say the gallery sales are continuing to climb with particularly successful seasonal sales with the tree ornaments being a star.

We have our next take in on Friday Jan. 12th. and I hope to see the walls and shelves as busy as ever because this show, Follow Your Heart, encompasses Valentines Day.

The reception, on Saturday January 20th at 4pm, will be combined with our featured artist David Farrington.  Please do come and join us to celebrate art and artists.

On January 23rd. we begin our monthly programs this year with a talk and demonstration of pastels by accomplished artist Patricia Rose Ford, followed closely by our major social event of the year, the annual Tea Party on Sat. Jan 28th. Please do join us for nothing but fun!

Sadly, December saw the passing of one of our long time members and born artist Joanna Mersereau.  Her memorial was held on January 6th. and I hear it befitted her status. You will read more about this further on in the newsletter.

Soon we will be presenting our spring film series to benefit the MCAEEF foundation. I'm sure the line up will be as diverse as ever.  I hope to see you at one of these events. YOUR participation is very important to the life of RAA.  We are the ones that make it happen and thrive.

Maggie Macro, RAA President

Maggie Macro with glasses