Education

One of the RAA’s main missions is to support and encourage the visual arts through education. We provided classes for children as well as adults. We also have programs and workshops. Click on the tabs under “education” in our navigation bar to learn about upcoming classes, programs and workshops.

Children's Art Show
Children’s Art Show
Art Camp Duck Tape Collaboration
Art Camp Duck Tape Collaboration

Programs & Workshops

The Art of Stained Glass with Tom Medlicott

UPCOMING PROGRAM:  Tuesday, May 31 @ 7:00 PM

An admired and accomplished artist, Tom Medlicott has been working in stained glass for more than 40 years and has created about 4,000 windows as well as tables, signs, etc.  His work is in cities all over California.  His most expensive to date is a $45,000 church window.

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Medlicott moved to Redlands, with his family, in 1977 and has since created many wonderful stained glass windows in our community.  Most notably, several of his windows are in the Smiley Library, as well as at the University of Redlands, Olive Market and many Redlands homes. He is a meticulous craftsman, creating designs in glass that are often intricate and complex.

An energetic and enthusiastic artist, he has produced a great legacy of beautiful windows in Redlands.  Come hear Medlicot speak on his life, his art and the stories he creates in glass.

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Submitted by Lori Powell

The Art and Imagination of Theme Park Design with Bill Butler

Tuesday, May 17 at 7:00 PM

Note:  An unexpected program conflict occurred for Bill Butler, so the date of his program The Art and Imagination of Theme Park Design, has been changed to Tuesday, May 17 at 7 PM.

Bill Butler, director of creative design for Garner Holt Productions in San Bernardino, the world’s foremost theme park design and animatronics production company, will be the guest artist for the Redlands Art Association.  Butler will explain the breadth of his creative work, which he describes as involving all the theatrical arts.

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Envisioning and producing a theme park attraction involves everything from drawing, painting, model-making, scripting, sculpting, molding, plastics production, casting, skin production, steel armature, fiberglass production, mechanical systems engineering and building, costuming, fur-application, electronic control systems, video and audio media production, programming, architecture, structural engineering, people management, water, power, air management, vehicle design and production, life safety systems, lighting, audio, projection and visual effects, merchandising, to maintenance. A fully cohesive attraction engages the viewers so fully that they are unaware of the integration of the many elements. Ultimately, the audience no longer views the attraction but becomes an immersed participant.

Bill Butler, 29 has been living his lifelong dream for a decade working at Garner Holt where he designs and produces theme park attractions. His passion for creative work began early in life. As a child, while his father was serving in the military in Operation Desert Storm, Butler and his mother spent nearly every weekend at Disneyland where he soon realized that creating his favorite rides was actually someone’s job, one he could aspire to having. Starting with Lego models and shoebox dioramas, Butler began to develop a vision and passion for his life’s work.

In high school and college, working as a page at the Smiley Library and the Lincoln Shrine in Redlands, he became so fascinated by the life of Abraham Lincoln that he created a model of a Lincoln attraction that he pitched to Garner Holt, hoping to land an internship with the company. His tenacity paid off and Garner Holt hired the then nineteen year-old, a college student majoring in journalism at the University of Redlands.

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In his ten years with Garner Holt, Butler has traveled to Asia and Europe meeting with clients, pitching ideas and producing attractions. He has completed projects for Disneyland, California Adventure, Knott’s Berry Farm and Universal Studios. In 2013 he had the opportunity to reimagine his favorite childhood attraction: the Calico Mine Ride at Knott’s Berry Farm, which he enthusiastically describes as a dream come true. Recently, he has been at work on a flight simulator attraction at Seattle’s Pier 5, on the waterfront near Pike’s Place Market. Many other of Butler’s projects remain top secret.

With little formal training in the field, Butler has spent his twenties at Garner Holt learning his multifaceted and creative work by doing. He remains contagiously passionate and excited by his work. “Every day, I get to do all I ever wanted to do,” Butler said. Come and hear about Bill Butler’s captivating work.

Submitted by Lori Powell

Program is FREE to all.

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March Program: Linda Kay Zoeckler

Northern California: Painting Paradise In Plein Air During the Late 19th and Early 20th Century

Tuesday, March 22 @ 7:00 PM

By Professor Linda Kay Zoeckler

Redlands Art Association is privileged to welcome back Professor Linda Kay Zoeckler, an outstanding art historian and scholar, to present a program focusing on early plein air, landscape paintings of Northern California.   In 2014 she presented a fascinating program on the extraordinary works of early Southern California painters and their amazing stories.  On March 22 at 7:00 PM, she will speak on the paintings from the Northern part of the state that are just as extraordinary and with interesting stories, but different from those of the South.

Artists came from far and wide, including the east coast and even Europe, to experience seeing and painting beautiful landscapes.  San Francisco, Monterey, Carmel and Pacific Grove were favorite communities to paint and congregate.   Adventurous souls trekked to the high Sierras and Yosemite to paint.  Well-known artist, Albert Bierstadt established a San Francisco studio and made sketching trips by horseback to the wild and rugged Sierras.  Inspired by the Barbizon painters of France, other artists painted quiet scenes of farms, pastures and woodlands, often in a related style called Tonalism.  Tonalism flourished in Northern California, probably because of the differences between northern and southern California sunlight.  Historical events, such as the 1906 earthquake and fires, the Gold Rush and Indian settlements, were some of the contributing factors to artwork that is so unlike that of Southern California

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Zoeckler has long held a special interest in the unique history of California landscape painting, spending over 20 years studying and exploring its early development.  She will be sharing her expertise on this early, Northern California art movement; discussing the artists, artworks, significant historical events and stories of the courageous and productive artists, while viewing about 200 images of plein air landscapes.  If you are an art enthusiast, this is a night you will not want to miss!

Lori Powell, Adult Education

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Note:  Zoeckler has taught art history and art appreciation, for 19 years, at Golden West College, in Huntington Beach, California.  Concurrently, she was for many years, Head of the Art Reference Library at Huntington Library, Art Gallery and Botanical Gardens in San Marino, California.  There she oversaw a wide range of library endeavors and made many valuable contributions to the library.  Among other positions she has held, are:  Head Librarian at Otis Art Institute, LA: Adjunct Lecturer in Art History at Orange Coast College, Costa Mesa CSUSB, as well as a year as Curator of Collections at the Edward-Dean Museum in Cherry Valley.  Along with being widely published, including art articles for Artweek, she frequently lectures on a wide range of topics relating to art and architecture.

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Lori Powell, RAA Program Chair